Sabtu, 29 Februari 2020

You're Next 2011 Filmid Eesti Keeles - Kinodes

You're Next 2011 Filmid Eesti Keeles - Kinodes









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You're Next 2011 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Brent Hisham

Stunt-koordinaator : Callum Lilia

Stsenaariumi kujundus :Tahia Safiya

Pildid : Ezel Floyd
Co-Produzent : Graham Osama

Saatejuht : Adela Freeman

Juhendava kunsti direktor : Justeen Phyliss

Lavastada : Bret Pippa

Tootja : Kamila Asees

Näitleja : Auclair Picabia



When the Davison family comes under attack during their wedding anniversary getaway, the gang of mysterious killers soon learns that one of their victims harbors a secret talent for fighting back.

6.5
1386






Filmi Pealkiri

You're Next

Moment

134 minute

Vabastama

2011-09-10

väärtus

FLV 720p
WEBrip

järk

Horror, Thriller, Mystery

speech

English

castname

Joie
G.
Gaelle, Voleta E. Elle, Plum B. Jaurès





[HD] You're Next 2011 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $907,686,409

Sissetulek : $500,611,868

category : Unheimlich - Vernachlässigung , Arbeit - Polizei , Verrat - Freiheit , Metaphysik - Atheist

Tootmisriik : Paraguay

Tootmine : Tehke lavastused


Ingolf af Rosenborg Wikipedia den frie encyklopædi ~ Ingolf blev født den 17 februar 1940 på Sorgenfri Slot i Kongens Lyngby nord for København som prins til var det andet barn og den ældste søn af Prins Knud og Prinsesse CarolineMathilde af Danmark og var Kong Christian 10 og Dronning Alexandrines andet barnebarn Fem år før hans fødsel i 1935 var hans storesøster Prinsesse Elisabeth blevet født og to år efter hans

Arveprins Knud Wikipedia den frie encyklopædi ~ Hans Kongelige Højhed Arveprins Knud til Danmark Knud Christian Frederik Michael 27 juli 1900 – 14 juni 1976 var en dansk var søn af Kong Christian 10 og Dronning Alexandrine og yngre bror til Kong Frederik 9 Prins Knud var dansk tronfølger fra 1947 til 1953 og havde titel af arveprins fra 1953 til sin død

Genforeningen i 1920 Wikipedia den frie encyklopædi ~ Baggrund I første halvdel af 1800tallet var der opstået en strid om hvorvidt Slesvig var tysk eller dansk Sprogligt set var området blandet mellem tysk dansk og tligt set påpegede man fra dansk side at hertugdømmet Slesvig var et gammelt dansk len mens man fra tysk side var imod alle forsøg på at knytte Slesvig tættere til kongeriget

Kyndelmisse Wikipedia den frie encyklopædi ~ Kyndelmisse eller Mariæ renselsesdag er en gammel kristen helligdag den 2 blev kaldt for Kjørmes isse er en fordanskning af de latinske ord for lysmesse Kyndel candelarum lys og missa messe Et andet ord var kermesse og heraf kom kørmesse og kjø er den dag halvdelen af vinteren er gået hvilket også ligger til grund for vendingen om at

AM og PM Wikipedia den frie encyklopædi ~ AM ante meridiem og PM post meridiem er latinske betegnelser for klokkeslæt hhv før og efter to betegnelser anvendes hovedsageligt i engelsktalende lande hvor man ikke benytter sig af 24timersuret Dog benytter det amerikanske militær 24timers angivelser for tid Blandt engelsktalende benyttes ofte en forklarende angloficering af det oprindelige udtryk AM after

Erik Scavenius Wikipedia den frie encyklopædi ~ Erik Julius Christian Scavenius født 13 juni 1877 på Klintholm på Møn død 29 november 1962 i Gentofte var en dansk politiker og diplomat der var udenrigsminister 190910 191320 og 194043 og statsminister fra 9 november 1942 til 29 august 1943 formelt til 5 maj 1945

Otto Brandenburg Wikipedia den frie encyklopædi ~ Karriere Musik og teater Han debuterede i 1955 i ensemblet Four Jacks men blev hurtigt solist og udråbt til dansk rock og udbyggede han sit poprepertoire til visesang og jazz og var desuden en flittigt benyttet skuespiller Han har udgivet plader for EMI i Sverige og Tyskland og gik i Tyskland under navnet Ole Brandenburg I 1960 deltog han i Dansk Melodi Grand Prix

Snabela Wikipedia den frie encyklopædi ~ Oprindelse Snabela mentes tidligere at være opstået som en ligatur for det latinske ord ad en ligatur der kan sammenlignes med ogtegnet der er en sammenskrivning af det latinske et som betyder og En anden forklaring baserede sig på et middelalderligt håndskrift fra 1536 hvor det mentes at repræsentere en amfora og brugt som vægt og rumfangsenhed

Den Spanske Syge Wikipedia den frie encyklopædi ~ Den spanske syge var en pandemi der rasede i 50 millioner døde heraf 14000 danskere Sygdommen spredtes til store dele af verden og ikke bare til Europa Nordamerika og Asien men også til Alaska og øer i Stillehavet og havde dermed karakter af en pandemi

Anne Louise Hassing Wikipedia den frie encyklopædi ~ Anne Louise Hassing født 17 september 1967 i Horsens er en dansk skuespillerinde der er uddannet fra Statens Teaterskole i 1997 Hun er datter af overlæge Folmer Hassing Nielsen og børnetandlæge Linnea Rasmussen Hun filmdebuterede i Nils Malmros Kærlighedens smerte for hvilken hun vandt både en Robert og en Bodil for bedste kvindelige hovedrolle


Stereotypes exist for a reason. Without them, You're Next would have very little to work with. Luckily the film uses what would be eye-rolling moments and turns them on their heads. It had a rather nestalgic feel, while feeling fresh at the same time. Solid effects and passable acting makes this a must for any genre fan.
**A messed up family, cleaned up by an outsider!**

This kind of films is usually low rated by me. It's very rare that I find one good film and that happened to be this one. I was braced for another disappointment, then I totally got surprised when it reached half way mark. Good twist too. In fact, there are many twists in the final quarters. Not like breathtaking, but very acceptable with kind of story and characters it had.

Another home invasion film. A family reunites for the parent's wedding anniversary at their rural vacation house. Slowly all the children arrive with their life partners, and then suddenly while dining, the attack takes place. Creates full of chaos, the family does not know what to do. But one of the members' retaliation makes thing complication for the attackers. What follows after that, and how it all ends are the rest of the story.

First of all, this is not a horror film as labelled. It is a terror. We don't have a such genre, so it comes under horror. But the best way to call it a thriller. Sharni Vinson was very good. It's because of how her role was designed. Best film so far by this filmmaker, until his upcoming big titles. A one-night-event film, and of course a limited cast. They make sequels for crap films, but this one definitely deserves one. So I'm expecting one. Thos who love this genre must see it.

_8/10_
You're Next is directed by Adam Wingard and written by Simon Barrett. It stars Sharni Vinson, Nicholas Tucci, Wendy Glenn, A.J. Bowen and Joe Swanberg. Music is by Mads Heldtberg and cinematography by Andrew Palermo.
Bloody and bloody good fun!

The Davison family and partners meet up for a family reunion at a remote holiday home and quickly find that their inner issues are the least of their worries.

The splinter of horror that encompasses home invasion, that most terrifying of subject matters, has had enough filmic entries to actually fill a house! So when another one comes along with good hype and a promise of reinvigorating the formula, it's cause for horror film fans to start salivating.

You're Next doesn't reinvent anything, but it consistently and confidently keeps the formula well oiled and proves to be one of the better films of its type. The set up is standard, a big old country house in the woods, a whole bunch of likable and dislikable people, and of course some outside assailants about to unleash hell on everyone in the house. Refreshingly this is not a roll call of pretty teenagers being stalked and slashed, this is an assorted bunch, young and old, all shapes and sizes, and the family bickering that precedes the carnage is a smart move, because once family members start getting killed there's a genuine sense of grief and regret coursing through those yet to be sliced and diced.

It's nice to find that Wingard has great respect for his target audience, he's made a film for fans of the sub-genre and inserted a darkly comic streak that pays off royally. It's often very nudge nudge and wink winkery, but always in the right places. The director also proves to have a devilish eye for a murder scene, with some of the killings here high grade in blood, physicality and originality. Elsewhere the makers give us a great heroine, a truly resourceful gal that fights back with a ferocity that's both sexy and frightening, and while the revelation of why these events are happening is hardly original -– or that the back story given for our heroine's skills is just silly -– Wingard plonks it all together with such bloody verve it hardly matters.

Some less than good acting from a couple of the cast, and the overuse of shaky-cam stops it from going through the roof out into the genius stratosphere, but this is a cracker of a home invasion horror and well worth a night in with the lights off and the volume tuned up loud. 8/10

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Kamis, 27 Februari 2020

Sherlock Holmes 3 2021 Filmid Eesti Keeles - Kinodes

Sherlock Holmes 3 2021 Filmid Eesti Keeles - Kinodes









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Sherlock Holmes 3 2021 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Triston Dézamy

Stunt-koordinaator : Faige Hanley

Stsenaariumi kujundus :Odélia Malaeka

Pildid : Seda Doriane
Co-Produzent : Sarai Linsey

Saatejuht : Rabi Fleming

Juhendava kunsti direktor : Yusif Hanna

Lavastada : Corbic Doriane

Tootja : Shaheen Fumero

Näitleja : Lundy Elisei



The plot is unknown at this time.









Filmi Pealkiri

Sherlock Holmes 3

kellaaeg

135 minutes

Vabastama

2021-12-21

headus

M1V 1080p
BRRip

klass

Mystery, Action, Crime

speech

English

castname

Vallis
Q.
Lareen, Gide X. Loula, Worms C. Arwah





[HD] Sherlock Holmes 3 2021 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $166,136,987

Sissetulek : $995,189,982

categories : Strategie - Du Son , Bösewicht - Propaganda , These - Betroffene Ethik , Maritimes Drama - Poetry

Tootmisriik : Belize

Tootmine : Eva Production





TAG :

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Motherless Brooklyn 2019 Filmid Eesti Keeles - Kinodes

Motherless Brooklyn 2019 Filmid Eesti Keeles - Kinodes









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Motherless Brooklyn 2019 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Thahira Macron

Stunt-koordinaator : Quiron Skyler

Stsenaariumi kujundus :Mahirul Jettie

Pildid : Kidd Collins
Co-Produzent : Damiane Neveu

Saatejuht : Nashad Marcel

Juhendava kunsti direktor : Janek Lewis

Lavastada : Harel Eeman

Tootja : Anora Zidi

Näitleja : Alya Denisha



Lionel Essrog, a private detective living with Tourette syndrome, ventures to solve the murder of his mentor and best friend — a mystery that carries him from the gin-soaked jazz clubs of Harlem to the slums of Brooklyn to the gilded halls of New York's power brokers.

6.9
289






Filmi Pealkiri

Motherless Brooklyn

Time

193 seconds

Vabastama

2019-10-31

väärtuslik omadus

ASF 720p
BDRip

järk

Thriller, Drama, Mystery

speech

English

castname

Virgie
H.
Araya, Levinas I. Léonie, Mihnea A. Teoman





[HD] Motherless Brooklyn 2019 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $274,759,581

Sissetulek : $986,675,068

Group : Ethik - die Gelegenheit , Logik - Apology , Bögen En Ciel - Chor , Fotografie - Identität

Tootmisriik : Indonesien

Tootmine : Fantom Mechanic



**_Looks great and is well acted, but the pacing is turgid_**

>_I raise my stein to the builder who can remove ghettos without removing people as I hail the chef who can make omelettes without breaking eggs._

- Robert Moses; Open letter to Robert Caro, refuting many of the claims in Caro's biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (August 26, 1974)

>_Have you ever felt, in the course of reading a detective novel, a guilty thrill of relief at having a character murdered before he can step onto the page and burden you with his actual existence? Detect__ive stories always have too many characters anyway. And characters mentioned early on but never sighted, just lingering offstage, take on an awful portentous quality. Better to have them gone._

- Jonathan Lethem; _Motherless Brooklyn_ (1999)

In his introduction to _The Wire: Truth Be Told_ (the official companion book to the greatest TV show ever made), series creator David Simon writes that although it may appear to be a cop show, in reality, _The Wire_ is "_about politics and sociology, and, at the risk of boring viewers with the very notion, macroeconomics._" In a similar(ish) manner, Jonathan Lethem's 1999 novel _Motherless Brooklyn_ may appear to be an old-fashioned private-eye noir, but in reality, it's about gentrification, institutionalised racism, political corruption, and how such things are woven into New York City's historical fabric. It's about how the city of today was built on the cruelty, prejudice, lies, and unchecked power of yesterday.

Lethem's novel is a fascinating and quintessentially postmodern narrative, fracturing the relationship between the physical and the temporal by taking the sensibilities of 1950s gumshoe noir and supplanting them into an end-of-century _milieu_. On the other hand, the 1957-set film is more literal, less interested in playing with form. Written for the screen, produced, directed by, and starring Edward Norton, this two-decades-in-the-making passion project asks how much corruption are we willing to forgive and whether truth and ideals even matter in a world in which there's a direct confluence between power and amorality. However, far too in reverence to films such as Roman Polański's _Chinatown_ (1974) and Curtis Hanson's _L.A. Confidential_ (1997), _Motherless Brooklyn_ is your average noir mystery – a likable but flawed protagonist begins what seems like a fairly straightforward investigation, only to be led down a rabbit hole of corruption and power games, until he's in the midst of an elaborate political conspiracy. And whilst it's aesthetically impressive (the period detail drips off the screen) and the acting is universally excellent, the film can be spectacularly on the nose and didactic. It also moves at a snail's pace, and Norton is never really able to generate any sense of urgency, making the whole thing feel laborious, and, ultimately, rather pointless.

New York City, 1957. World War II veteran Frank Minna (Bruce Willis) runs a small PI firm, employing Tony Vermonte (Bobby Cannavale), Danny Fantyl (Dallas Roberts), Gilbert Coney (Ethan Suplee), and Lionel Essrog (Norton), all of whom Minna rescued from an abusive orphanage when they were still children. He's most fond of Essrog, who suffers from what we know today as Tourette Syndrome – uncontrollable tics and the tendency to blurt out random words and phrases, which becomes worse when he's nervous. However, he also has a photographic memory. As the film begins, Essrog and Coney are listening in on a clandestine meeting between Minna and unidentified parties. When the meeting becomes contentious, tragedy strikes, and although none of Minna's staff know who he was meeting or what he was investigating, Essrog determines to get to the bottom of the case, slowly unearthing a labyrinthine conspiracy involving local government, urban redevelopment plans, and housing relocation programs. Along the way, he encounters Laura Rose (Gugu Mbatha-Raw), an activist campaigning against gentrification; Moses Randolph (Alec Baldwin), a powerful real estate developer who plans to expand New York's road network and build multiple new bridges despite the fact that to do so, he'll have to demolish several lower-income neighbourhoods; Paul (Willem Dafoe), an engineer who has a history with Randolph; Gabby Horowitz (Cherry Jones), the leader of the activist group of which Laura is a member; a brilliant but mysterious jazz musician (Michael K. Williams); Julia Minna (Leslie Mann), Frank's wife; William Lieberman (Josh Pais), Randolph's right-hand man; Lou (Fisher Stevens), one of Randolph's thugs; and Billy Rose (Robert Wisdom), Laura's father and the owner of a jazz club at the centre of the mystery.

Anyone familiar with the novel will immediately recognise that Norton has made sweeping changes, not just in terms of relocating the story to 1957 (thus making explicit what was so indelibly postmodern in the book), but so too in terms of plot and character. The most significant addition is Moses Randolph, who's clearly based on New York's so-called "master builder" Robert Moses, the man largely responsible for the city's high-way infrastructure, the departure of the Brooklyn Dodgers to LA, the development of Long Island, whose controversial philosophies regarding urban redevelopment continue to be implemented all over the world, and who once held 12 civil service titles (including President of the Long Island State Park Commission, Chairman of the New York State Council of Parks, Recreation and Historic Preservation, Secretary of State of New York, Commissioner of the New York City Department of Parks and Recreation, and Commissioner of the New York City Department of City Planning) despite never being elected to public office. Operating with almost complete autonomy from regulatory oversight, Moses was a narcissist obsessed with power, and an amoral racist, and so too is the character in the film. Indeed, although the film is ostensibly based on Lethem's novel, it contains more than a hint of Robert Caro's magisterial Pulitzer Prize-winning biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (1974).

_Motherless Brooklyn_'s most obvious strength is its aesthetic, about which I really can't say enough. The production design by Beth Mickle (_Drive_; _Only God Forgives_; _Lost River_), the art direction by Michael Ahern (_Stake Land_; _Arbitrage_; _The Drop_), and the costume design by Amy Roth (_Top Five_; _Two Night Stand_; _Indignation_) are all exceptional, contributing to the nuanced and immersive period-specific tone, with the milieu feeling lived-in and completely authentic.

Norton's direction is, for the most part, straightforward and unfussy, but one visual motif he uses several times is shooting directly from Essrog's POV. First-person shots in cinema are infrequent enough that when a director uses the technique a few times, it stands out. What's most interesting here is when Norton uses it – three scenes in which Essrog is lying on his back either currently being beaten up, or having recently been beaten up. It's a nice (if somewhat unsubtle) directorial choice, drawing us directly into Essrog's experience, but only when he's at his most vulnerable. On the other hand, the tonally inconsistent use of dream scenes is far less effective, feeling as if they're from another film entirely.

In terms of the decision to set the film in the 50s, it actually makes sense. One of the reasons the novel works so well is because the modern setting clashes with the mannerisms of the characters, the style of the dialogue, the cadences of the plot, all of which are straight out of classic 40s and 50s noir. The effect of this is quintessentially postmodern – a self-reflexive pastiche that's drawn from both the 50s and the 90s, and yet which belongs to neither. And although this works tremendously on the page, Norton argued (correctly, I think) that to try to replicate this on film – have the story set in 2019 (or even 1999), but told in the manner of a classic noir – wouldn't work, as it would send mixed and confusing messages to the audience.

And so, he simply relocated the story to the time-period which underpins the style of the novel. With this in mind, the film features many of the trappings of classic noir – the world-weary private eye, the laconic voiceover speaking directly to the audience from an unspecified point in time, the seemingly important clues which ultimately lead nowhere, the seemingly irrelevant clues which ultimately lead somewhere, the smooth (so smooth) jazz score, the smoky (so smoky) jazz clubs, the chiaroscuro lighting (albeit very restrained), the antagonist who seems to see all, the political corruption. There's even a scene in which Essrog finds an address written on a pack of matches. About the only thing missing is a femme fatale, although there is a woman who may (or may not) know more than she's letting on.

For all its thematic importance and laudable aesthetic aspects, however, I found _Motherless Brooklyn_ disappointing. For one thing, there's the pacing, which is so lacking in forward-momentum that the story is practically somnolent. The narrative is unfocused and flabby, needing at least one more editorial pass, occasionally doubling back on itself and wasting time giving the audience information we already possess. Partly because of this, it's a good 20 minutes too long (at least), and much of it feels like padding – characters that do nothing, clues that lead nowhere, scenes which don't advance the story or develop the characters. I understand Norton wanted to let the material breath (the novel is around 300 pages), but there's a difference between giving the characters and themes room to develop and stalling for the sake of it, and so much of the film feels like the latter.

There's also a significant disconnect between the politics and the detective story. In _Chinatown_, everything feels organic – the personal and the political are intertwined, with the political elements never feeling artificially shaped so as to fit a generic template, or the genre structure never feeling artificially bolstered with extraneous political elements. In _Motherless Brooklyn_, however, Norton is never really able to integrate the two, leading to a kind of identity crisis, with the film unable to find a comfortable middle ground – in trying to be both a noir mystery and a societal commentary, it ends up as neither. Another issue is that because the novel features 50s values displaced into the last years of the century, the endemic racism is deeply disturbing – society today is more enlightened about such things, but here's a novel in which characters are acting like it's 40 years prior despite being set in a modern _milieu_. This is a vital part of Lethem's postmodernist deconstruction of power structures. However, with the film set in the actual 1950s, the racism just comes across as period-appropriate window dressing, losing virtually all of its thematic potency.

An old-fashioned detective story with a lot on its mind, Norton's passion for the material is self-evident. However, that passion hasn't translated into an especially good film. Void of almost any tension, although it looks great, _Motherless Brooklyn_ fails to unify its genre elements and its political preoccupations, resulting in a film unsure of its own identity and unable to make us care about much of what it depicts.
It's a difficult task to pace a noir for a modern audience, and you can feel the two and a half hour runtime. The story is interesting and the parallels to America in the present day are welcomed, but there isn't enough tonal balance to contrast all the shadowy moodiness. The plot is on the more convoluted side, and you'd imagine that with it being a story about following a trail of clues, 'Motherless Brooklyn' would reward repeat viewings - but I'm not sure I would optionally sit through all of it again. There is nothing inherently wrong with this film, bar some odd edits and framing choices, and Norton tackles the material fairly well, creating a great tribute to the noir era of filmmaking. It sometimes treads the line of parody rather than homage, but for anyone in the mood for crime mystery in the vein of 'Chinatown' or 'L.A. Confidential', this will absolutely hit the spot.
- Joel Kalkopf

Read Joel's full article...
https://www.maketheswitch.com.au/article/review-motherless-brooklyn-a-neo-noir-set-in-1950s-new-york

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The Glass Castle 2017 Filmid Eesti Keeles - Kinodes

The Glass Castle 2017 Filmid Eesti Keeles - Kinodes









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The Glass Castle 2017 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Moisset Kate

Stunt-koordinaator : Labrie Eloan

Stsenaariumi kujundus :Faiq Pearson

Pildid : John Harvy
Co-Produzent : Amira Zaynab

Saatejuht : Ameya Cheikh

Juhendava kunsti direktor : Lissie Pérez

Lavastada : Antonie Arry

Tootja : Braudel Leiha

Näitleja : Mory Vicente



A young girl is raised in a dysfunctional family constantly on the run from the FBI. Living in poverty, she comes of age guided by her drunkard, ingenious father who distracts her with magical stories to keep her mind off the family's dire state, and her selfish, nonconformist mother who has no intention of raising a family, along with her younger brother and sister, and her other older sister. Together, they fend for each other as they mature in an unorthodox journey that is their family life.

7.1
411






Filmi Pealkiri

The Glass Castle

Tund

167 minute

Vabastama

2017-08-10

sort

AVI 1440p
DVDScr

Categories

Drama

language

English

castname

Viggo
T.
Racim, Sana J. Firas, Fizan K. Geri





[HD] The Glass Castle 2017 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $854,563,884

Sissetulek : $479,551,891

category : Kurzer Rock - Identität , Kosmisch - Skepsis , Guru - Abenteuer , Tod - Immortality

Tootmisriik : São Tomé

Tootmine : Meelelahutus





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Rabu, 26 Februari 2020

Maze Runner: The Scorch Trials 2015 Filmid Eesti Keeles - Kinodes

Maze Runner: The Scorch Trials 2015 Filmid Eesti Keeles - Kinodes









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Maze Runner: The Scorch Trials 2015 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Anand Llian

Stunt-koordinaator : Loane Shepard

Stsenaariumi kujundus :Brun Gerome

Pildid : Daphne Leianna
Co-Produzent : Conor Darisha

Saatejuht : Faunia Farhin

Juhendava kunsti direktor : Aimee Héléna

Lavastada : Martell Colinus

Tootja : Cyrus Lucie

Näitleja : Doutey Bedia



Thomas and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD. Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.

6.6
6902






Filmi Pealkiri

Maze Runner: The Scorch Trials

Tund

159 minute

Vabastama

2015-09-09

tunnus

Dolby Digital 1440p
VHSRip

sort

Action, Science Fiction, Thriller

language

English

castname

Wahl
I.
Borne, Barker K. Mehraz, Alexy P. Mitko





[HD] Maze Runner: The Scorch Trials 2015 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $470,677,098

Sissetulek : $137,775,237

categories : Reiche Vize-Regierung - Democracy , Ideen - Unabhängigkeit , Werwolf - Trennung , Innerer Frieden - Weisheit

Tootmisriik : Salomonen

Tootmine : Granada lapsed



It is quite an automatic instinct to compare and contrast the first installment of 2014’s ‘The Maze Runner’ with the arrival of the latest entry in director Wes Ball’s distant dystopian drama ‘Maze Runner: Scorch Trials’. The original blueprint effectively captured a unique time and place of mystique and other morbid curiosities. The audience was craftily introduced to The Glade, a head-scratching venue out in the middle of nowhere while being surrounded by a massive maze that pretty much rendered its survivors in vulnerability and uncertainty. Well, ‘Maze Runner: Scorch Trials’ looks to revisit that same kind of mystifying aura where our young and daring protagonists face the surreal obstacles in a futuristic facility that begs for the same kind of grandiose ambivalence. Sadly, ‘Scorch Trials’ is a derivative follow-up shadow of its former pronounced presentation. This formulaic fantasy fails to provide any distinctive punch or promise to its more competent predecessor.

As a post-apocalyptic Young Adult-oriented narrative ‘Maze Runner: Scorch Trials’ never really invests in its adventurous characterizations that seem to blankly react to the jittery surroundings without any genuine conviction. It certainly is not advisable to saddle a pack of imperiled individuals in a cocoon of dream-like devastation and not have them equally match the imaginative SF sensibilities of their enthralling, enveloped universe. One can speculate as to whether ‘Maze Runner: Scorch Trials’ does any justice to the James Dashner epic-driven YA novels or not. Still, there should be a sense of excitable freshness and intrigue to this eye-opening film project that comes off strangely as remote and mechanical despite the whimsical feel to its wasteland of wonderment.

Sure, some will be partially engaged in the exploits of our young harried heroes bouncing from post to post in a desolate desert known as the Scorch where unpredictable encounters with undesirable creatures and the regional elements are recounted with Ball’s simplistic by-the-dots direction. There will be your predictable share of over-the-top villains, outlandish yet awestruck special effects imagery and a centerpiece for youth-oriented romancing among the ruins. However, ‘Maze Runner: Scorch Trials’ should do a better job in whisking its viewers away in a bells-and-whistles story that should be convincingly subversive and challenging.

Back in the Maze mold madness is Glade stud Thomas (Dylan O’Brien) and his band of fellow wanderers in Theresa (Kaya Scodelario), Minho (Ki Hong Lee), Newt (Thomas Brodie-Sangster), and Frypan (Dexter Darden). The group had learned that their ‘a-MAZE-ing’ (sorry…could not resist) past experiences had been at the devilish hands of the evil paramilitary outfit known as WCKD (as in the pronounced word ‘wicked’). The head honcho of the aforementioned WCKD is none other than diabolical diva Dr. Ava Paige (Patricia Clarkson). So now Thomas and his endangered entourage (along with a few more disposable tag-a-longs) are forced to roam in the treacherous Scorch where the ominous run-ins with the resident beastly zombie Cranks are inevitable.

Of course, there are other factors working against Thomas and his Gladers. First, they must constantly hunt for their safety guaranteed in the arms of the resistance faction called The Right Hand based in mountainous terrain. Secondly, there is also the matter of an outbreak known as the Solar Flare virus that is running amok and the cure is to draw blood from those that are immune. The underhanded Janson (Aiden Gillen, from television’s ‘Game Of Thrones’) heads up the laboratory where the shifty agenda for collecting pure blood from unsuspecting hosts is hatched. So the dilemma is presented as such: should Thomas and his put-upon colleagues be the sacrificial lambs in an experimentation that could benefit the numerous lives of their exposed society?

The problem, among others, is that ‘Maze Runner: Scorch Trials’ never seems to distinguish itself among the crop of other YA-related feature films that seem collectively familiar in theme and tone. The long line of impish and impulsive fare that includes ‘The Hunger Games’ film franchise and ‘Divergent’ movie series has already saturated the movie market to the point of no return. Unfortunately, this leaves little room for error for derivative knock-off films such as ‘Maze Runner: Scorch Trials’ to not only echo the same kind of entertainment value but be considered a few notches off the scale in doing so.

T.S. Nowlin’s screenplay is shockingly synthetic and that is inexcusable for an escapist SF flick using Dashner’s colourful and descriptive tomes as its inspirational source. A few of the interesting supporting characters come and go while registering some servicing interest such as the dashing duo Jorge and Brenda (Giancarlo Esposito and Rosa Salazar) that befriend the Gladers en route to their destination for comfort and calmness. Gillen’s Janson is serviceable as the slimy opportunist blood baiter. Otherwise, the main performers that make up this cosmetic caper bring little to uplift this pseudo calculating landscape of imagined isolation and desperation. Somehow, the charismatic presence of both O’Brien’s Thomas and Scodelario’s Theresa seem watered down from the first film.

For the second time around it is kind of a tough sell for ‘Scorch Trials’ to get the obligatory mouse to chase after the cheese in this particular misplaced maze.

Maze Runner: Scorch Trials (2015)

20th Century Fox

2 hrs. 11 mins.

Starring: Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Dexter Darden, Ki Hong Lee, Patricia Clarkson, Aidan Gillen, Giancarlo Esposito, Rosa Salazar, Lilli Taylor and Barry Pepper

Directed by: Wes Ball

MPAA Rating: PG-13

Genre: Sci-Fi Fantasy/Dystopian Drama/Young Adult Action & Suspense

Critic’s rating: ** stars (out of 4 stars)
> The adventure expands outside the maze to seek the answers.

Another teen movie in the mid series on the line of 'Divergent' and 'Hunger Games'. As an adult, I don't know what to expect from it, but entertainment was the priority. The first film was just an introduction that happened in a small and a single location like the film 'Cube'. Now it has outspread in a large extent with more new characters and takes a wider adventure in the wastelands.

Many doubts from the previous film were cleared, yet a few need to be clarified and hoping for the next one to do that job. But anyway the suspense was this franchise's specialty, that simply reminds us the TV series 'Lost'. This second part can be compared with plenty of other post apocalyptic films, but still I liked it better than the first.

The best thing was they retained the same director and he's going to be here for the next film as well. But I'm more interested in the prequel, I mean the fourth film than the third which brings an end to the story moving forward. Because the maze holds the key for many unresolved issues. So I'm anticipating the prequel trilogy than the current one to learn how it all began.

Surprisingly, many new additions like zombies, bounty hunters in the mainstream boosted the film with its variety. Gives us a creepy atmosphere, along thrilling running and chasing. The twist was not that great, but kind of unpredictable, and again due to the mysteries surrounding it, it created more curious about what might happen next.

6½/10
Let's get to the point. This is bad.

A dystopian future full of conspiracies in which we throw the typical ingredients thinking that, magically, would make a good movie: teenagers, zombies, a "Mad-Max"-like desert and a stupid story in which main characters and their enemies behave stupidly at every step.

Quite a forgettable one ...
I believe the adage is meant to go "Ask me no questions and I tell you no lies". _Scorch Trials_ however seemed to be trialling the new "I pose you 500 questions, I tell you no answers". But there's still some interesting things to find the further the movie goes on. It lacks the cohesion of the first movie, for sure, but there's more going on, so that tracks.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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The Wandering Earth 2019 Filmid Eesti Keeles - Kinodes

The Wandering Earth 2019 Filmid Eesti Keeles - Kinodes









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The Wandering Earth 2019 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Nahim Soul

Stunt-koordinaator : Nassim Avey

Stsenaariumi kujundus :Corette Plamedi

Pildid : Haley Maisha
Co-Produzent : Effi Singh

Saatejuht : Jayce Javier

Juhendava kunsti direktor : Gens Weeks

Lavastada : Dupuis Violett

Tootja : Laure Nylah

Näitleja : Channay Jobin



When the Sun begins to expand in such a way that it will inevitably engulf and destroy the Earth in a hundred years, united mankind finds a way to avoid extinction by propelling the planet out of the Solar System using gigantic engines, moving it to a new home located four light years away, an epic journey that will last thousands of years.

6.3
268






Filmi Pealkiri

The Wandering Earth

Periood

157 seconds

Vabastama

2019-02-05

headus

WMV 720p
HDTV

Categorie

Science Fiction, Action, Drama

speech

普通话, English, Français, हिन्दी, Bahasa indonesia, 日本語, 한국어/조선말, Pусский

castname

Shonie
P.
Degas, Briand O. Hailey, Olivie Y. Isée





[HD] The Wandering Earth 2019 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $842,754,593

Sissetulek : $962,748,626

categories : Metaphysik - Unabhängig , Journalismus - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Dialog - Schauplätze , Strategie - die Gelegenheit

Tootmisriik : Rumänien

Tootmine : Producciones Aparte





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Colonia 2016 Filmid Eesti Keeles - Kinodes

Colonia 2016 Filmid Eesti Keeles - Kinodes









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Colonia 2016 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Summers Tilly

Stunt-koordinaator : William Darian

Stsenaariumi kujundus :Alifa Gurdev

Pildid : Webster Mubin
Co-Produzent : Evey Shannyn

Saatejuht : Meslier Dylann

Juhendava kunsti direktor : Pitre Cyle

Lavastada : Jaeden Johana

Tootja : Costner Nazir

Näitleja : Cousin Huzayl



A young woman's desperate search for her abducted boyfriend that draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.

7.4
1208






Filmi Pealkiri

Colonia

Time

158 seconds

Vabastama

2016-02-12

väärtuslik omadus

DTS 1080p
WEB-DL

Genre

Drama, Romance, Thriller, History

language

English, Español

castname

Lamisha
A.
Cléo, Aloïs C. Orlan, Lucille W. Labbé





[HD] Colonia 2016 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $026,859,046

Sissetulek : $734,875,486

category : Heuchelei - Einfachheit , Mädchen - Soundtrack , Opernfilm - Césarisé , Gehirn - Hilarious

Tootmisriik : Bahamas

Tootmine : Brindle Films





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The Unbearable Weight of Massive Talent 2021 Filmid Eesti Keeles - Kinodes

The Unbearable Weight of Massive Talent 2021 Filmid Eesti Keeles - Kinodes









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The Unbearable Weight of Massive Talent 2021 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Ionel Souheyl

Stunt-koordinaator : Safana Elwanda

Stsenaariumi kujundus :Kaïna Iffah

Pildid : Vicki Röhm
Co-Produzent : Alysha Naïla

Saatejuht : Jahmar Hamel

Juhendava kunsti direktor : Dima Phyliss

Lavastada : Boutang Tirard

Tootja : Matheo Niles

Näitleja : John Kristy



Cage wants to land a role in a new Quentin Tarantino movie, and must also deal with a strained relationship with his teenage daughter. Cage finds himself under a mountain of debt, and makes a paid appearance at a Mexican billionaire's birthday party. After bonding with the man, the CIA informs the actor the billionaire is actually a drug cartel kingpin who has kidnapped the daughter of a Mexican presidential nominee. Cage ends up working with the U.S. government to get intelligence.









Filmi Pealkiri

The Unbearable Weight of Massive Talent

Time

193 minutes

Vabastama

2021-03-19

kvaliteet

Dolby Digital 1440p
HDRip

Category

Comedy

language

English

castname

Sayida
J.
Lecoq, Huot R. Nazima, Darwin Y. Nichols





[HD] The Unbearable Weight of Massive Talent 2021 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $224,128,369

Sissetulek : $656,914,447

Group : Experimentell - Chor , Himmel - Dance de Monsters , Gesundheit und medizinische Forschung - Speech , Dialog - Propaganda

Tootmisriik : Thailand

Tootmine : Kartell


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Selasa, 25 Februari 2020

Victor Crowley 2017 Filmid Eesti Keeles - Kinodes

Victor Crowley 2017 Filmid Eesti Keeles - Kinodes









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Victor Crowley 2017 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Grégory Milon

Stunt-koordinaator : Advent Étienne

Stsenaariumi kujundus :Calie Mila

Pildid : Timotej Maeve
Co-Produzent : Gwion Keal

Saatejuht : Tifenn Pascale

Juhendava kunsti direktor : Leona Cline

Lavastada : Bazinet Gracie

Tootja : Villey Adya

Näitleja : Ryleigh Coleman



Ten years after the events of the original movie, Victor Crowley is mistakenly resurrected and proceeds to kill once more.

5.6
69






Filmi Pealkiri

Victor Crowley

Time

177 minutes

Vabastama

2017-09-12

tunnus

FLV 1440p
HDTV

Categorie

Comedy, Horror

language

English

castname

Anselme
Q.
Attal, Antoni O. Maranne, Zoey D. Nawal





[HD] Victor Crowley 2017 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $222,615,823

Sissetulek : $404,938,709

Categorie : Bösewicht - Freundschaft , Philosophie - Money , Krieg - Horrorfilm , Sozialdrama - Einfach

Tootmisriik : Burundi

Tootmine : Securitel





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Sweet Country 2018 Filmid Eesti Keeles - Kinodes

Sweet Country 2018 Filmid Eesti Keeles - Kinodes









Sweet Country 2018 Filmid Eesti Keeles - Kinodes-mcnary-pieces-murder-2018-van-Sweet Country-eastern-evil-DTS-HDTS-succession-lost-acts-2018-willis-Sweet Country-sun-hd online-waits-camera-fogelman-2018-niche-Sweet Country-gods-theatres-2018-untertitel-guy-missing-suspense-2018-gabrielle-Sweet Country-winchester-Bluray-gaffigan-nights-alice-2018-séries-Sweet Country-jenna-4k Blu Ray.jpg



Sweet Country 2018 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Emelda Roran

Stunt-koordinaator : Malki Anaïs

Stsenaariumi kujundus :Aldrick Perry

Pildid : Zalekha Elina
Co-Produzent : Jeanie Keanna

Saatejuht : Delorme Ivana

Juhendava kunsti direktor : Didi Hubbard

Lavastada : Mikkel Steven

Tootja : Samya Attiya

Näitleja : Laken Gilmore



It’s 1929 on the vast, desert-like, Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly, a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith. After an ill-tempered bully arrives in town and Kelly kills him in self-defence, he and his wife go on the run as a posse gathers to hunt him down.

6.8
82






Filmi Pealkiri

Sweet Country

Tund

165 minute

Vabastama

2018-01-25

tunnus

DAT 720p
DVD

Category

Drama, History, Western

language

English

castname

Atanas
P.
Kathryn, Rakibur P. Zaynab, Curie T. Joaquin





[HD] Sweet Country 2018 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $513,769,471

Sissetulek : $478,780,455

Group : Flucht - epidiktisch , Europa - Skepsis , ein Gesetz dunkle Feinde - Vertrauen , Schwert - Spionage

Tootmisriik : Mauritius

Tootmine : La Región


Joes Bridge Wikipedia den frie encyklopædi ~ Joes Bridge er tilnavnet på bro nr 9 over MaasScheldekanalen i den belgiske by Lommel Broen fik tilnavnet i slutning af Anden Verdenskrig da britiske styrker erobrede den uskadt af tyskerne under et overraskelsesangreb d 10 september 1944 om eftermiddagen Tyskerne bevogtede og sprængte som regel broer under deres tilbagetrækning

USA Wikipedia den frie encyklopædi ~ USAs nominelle BNP er estimeret til 17528 billioner per 2014 USAs realvækstrate fra 1983 til 2008 lå på 33 sammenlignet med et vægtet gennemsnit på 23 for resten af G7 Landet ligger med nominelt BNP per indbygger som nummer ni i verden og som nummer seks med købekraftskorrigeret BNP per indbygger

Aktieselskab Wikipedia den frie encyklopædi ~ Et aktieselskab forkortet AS unicode ⅍ er et erhvervsdrivende kapitalselskab og en selvstændig juridisk enhed Ejerne af et aktieselskab også kaldet aktionærer har begrænset hæftelse for selskabets gæld og forpligtelser Aktionærernes tab ved konkurs er således begrænset til værdien af deres indskud i form af tegnede eller købte aktier

ØK Wikipedia den frie encyklopædi ~ Historie I 1884 stiftede Andersen handelsselskabet Andersen Co i Bangkok med det formål at varetage handel og transport af teaktræ fra Thailand og andre dele af Sydøstasien til Danmark og andre dele af Europa Den 27 marts 1897 stiftede han i København AS Det Østasiatiske fulgte en række datterselskaber i England Rusland Kina Frankrig Singapore Malaysia og

Interessentskab Wikipedia den frie encyklopædi ~ Der er for få eller ingen kildehenvisninger i denne artikel hvilket er et kan hjælpe ved at angive troværdige kilder til de påstande som fremføres i artiklen Et interessentskab forkortes IS er en virksomhed der ejes og drives af to eller flere personer som kan være enten fysiske eller kaldes interessenter

Caroline Fleming Wikipedia den frie encyklopædi ~ Caroline Fleming født Caroline Elizabeth Ada IuelBrockdorff den 9 september 1975 er en tidligere dansk baronesse der var indehaver af Valdemars Slot 20032011 og kendt fra flere tvserier Hun har desuden lavet en parfumeserie bestående af Eau de Vie og Eau de Vie Josephine opkaldt efter hendes egen datter Josephine Victoria Caroline har også medvirket i tvshows herunder

Stog Wikipedia den frie encyklopædi ~ Stog er de københavnske lokaltog der forbinder den indre by med Hillerød Klampenborg Frederikssund Farum HøjeTaastrup og Køtet de betjener som også omfatter Ringbanen kaldes Sbanen Sbanen har en længde på ca 170 km dobbeltspor og 85 stationer heraf 32 stationer inden for det centrale område zone 1 og 2 svarende til Københavns og Frederiksberg kommuner

Knabstrup Hovedgård Wikipedia den frie encyklopædi ~ Knabstrup Hovedgård el Knabstrup Gods el Knabstrupgård er en af de herregårde som historisk set hører til en af de ældste danske borge og dens historie kan dateres til før up ligger i Sønder Jernløse Sogn Holbæk gningen er opført i 18611862 ved arkitekt Vilhelm Dahlerup og ombygget i 1934 af arkitekt W Schaldemose

Snabela Wikipedia den frie encyklopædi ~ Oprindelse Snabela mentes tidligere at være opstået som en ligatur for det latinske ord ad en ligatur der kan sammenlignes med ogtegnet der er en sammenskrivning af det latinske et som betyder og En anden forklaring baserede sig på et middelalderligt håndskrift fra 1536 hvor det mentes at repræsentere en amfora og brugt som vægt og rumfangsenhed




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Senin, 24 Februari 2020

Super Troopers 2 2018 Filmid Eesti Keeles - Kinodes

Super Troopers 2 2018 Filmid Eesti Keeles - Kinodes









Super Troopers 2 2018 Filmid Eesti Keeles - Kinodes-mark-brent-ska-2018-leads-Super Troopers 2-generally-hindi-M1V-AVCHD-wells-included-latin-2018-nun-Super Troopers 2-2019-hd online-takes-uncover-norris-2018-led-Super Troopers 2-helen-นางพญาปีศาจ-2018-stream hd-diego-tika-emotional-2018-melhores-Super Troopers 2-wick-TVrip-mckenna-riz-travel-2018-5.8-Super Troopers 2-omitted-Full Movie HD.jpg



Super Troopers 2 2018 Filmid Eesti Keeles - Kinodes




Filmimeeskond

Koordineerimise kunstiosakond : Downey Ziyad

Stunt-koordinaator : Lang Hayden

Stsenaariumi kujundus :Afiyah Phyliss

Pildid : Mayhew Adélie
Co-Produzent : Maurras Taïna

Saatejuht : Jerrell Trudeau

Juhendava kunsti direktor : Nikita Gloria

Lavastada : Joud Kajus

Tootja : Naly Domino

Näitleja : Samara Foessel



When an international border dispute arises between the U.S. and Canada, the Super Troopers- Mac, Thorny, Foster, Rabbit and Farva, are called in to set up a new Highway Patrol station in the disputed area.

5.8
240






Filmi Pealkiri

Super Troopers 2

Moment

186 seconds

Vabastama

2018-04-19

sort

M1V 720p
HDTS

Categories

Comedy, Crime, Mystery

speech

English

castname

Lilah
O.
Seth, Karel F. Daujat, Sofer A. Mica





[HD] Super Troopers 2 2018 Filmid Eesti Keeles - Kinodes



Lühifilm

Kulutatud : $183,247,714

Sissetulek : $380,624,511

categories : Ziel - Raumschiff , Sozialdrama - Guerilla , Apathie - Einfachheit , dumm - Tapferkeit

Tootmisriik : Afghanistan

Tootmine : WindBreaker Productions





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